An unexpected twist in the closing frames of an old home movie sends Rose hurtling back to her childhood - a time and a place where no one else's parents were divorcing, and where stepmothers were as exotic as shop-bought cake. Revisiting her memories of glamorous part-time fathers and fortnightly treats, Rose unpicks the unspoken adult acrimony, and the childish confusion: "Each time they were returned to her with their bounty she was tight-lipped and unimpressed, flattening their ebullience to a shapeless guilt, their double bind of love and loyalty teaching them early to suppress their enthusiasm in her company." Dual Carriageway is about parents and children, and how complicated it all is.

Ursula has taken a job as an intern, working for a world famous artist in Tuscany. But he has a beautiful wife. Soon Ursula is locked in a triangular relationship and she dreams of mythical beasts emerging from the pine forests.

A family's new life in Australia is threatened by a bush fire, but this is not the first time the family have had to run from fire. This story won the Eileen Gilmour Creative Writing Competition in 2009

Hell hath no fury like a mountain underestimated, and on one bleak spring day just about everyone underestimates the Old Woman, with disasterous consequences.

Looking for a fresh start, Maison moves to a remote country village. But instead of finding the peace and tranquility she'd hoped for, she discovers something rather more sinister in the shadows of England's green and pleasant land.

Kate is a jazz singer, living happily with her musician husband. That is, until Maggi comes to stay.